Tom Fairfields Schooldays; or, The Chums of Elmwood Hall

Tom Fairfield's Schooldays; or, The Chums of Elmwood Hall

Mary Hazelton Blanchard Wade

Children's / Fiction

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
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  • 282
Our Little Cuban Cousin

Our Little Cuban Cousin

Mary Hazelton Blanchard Wade

Children's / Fiction

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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  • 96
Lost in the Wilds: A Canadian Story

Lost in the Wilds: A Canadian Story

Mary Hazelton Blanchard Wade

Children's / Fiction

The October sun was setting over a wild, wide waste of waving grass, growing dry and yellow in the autumn winds. The scarlet hips gleamed between the whitening blades wherever the pale pink roses of summer had shed their fragrant leaves. But now the brief Indian summer was drawing to its close, and winter was coming down upon that vast Canadian plain with rapid strides. The wailing cry of the wild geese rang through the gathering stillness. The driver of a rough Red River cart slapped the boy by his side upon the shoulder, and bade him look aloft at the swiftly-moving cloud of chattering beaks and waving wings. For a moment or two the twilight sky was darkened, and the air was filled with the restless beat of countless pinions. The flight of the wild geese to the warmer south told the same story, of approaching snow, to the bluff carter. He muttered something about finding the cows which his young companion did not understand. The boy’s eyes had travelled from the winged files of retreating geese to the vast expanse of sky and plain. The west was all aglow with myriad tints of gold and saffron and green, reflected back from many a gleaming lakelet and curving river, which shone like jewels on the broad breast of the grassy ocean. Where the dim sky-line faded into darkness the Touchwood Hills cast a blackness of shadow on the numerous thickets which fringed their sheltering slopes. Onward stole the darkness, while the prairie fires shot up in wavy lines, like giant fireworks.
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  • 95
Doing and Daring: A New Zealand Story

Doing and Daring: A New Zealand Story

Mary Hazelton Blanchard Wade

Children's / Fiction

Mark Twain once famously said "there was but one solitary thing about the past worth remembering, and that was the fact that it is past and can\'t be restored."  Well, over recent years, The British Library, working with Microsoft has embarked on an ambitious programme to digitise its collection of 19th century books.There are now 65,000  titles available  (that\'s an incredible 25 million pages) of material ranging from works by famous names such as  Dickens, Trollope and Hardy as well as many forgotten literary gems , all of which can now be printed on demand and purchased right here on Amazon.Further information on The British Library and its digitisation programme can be found on The British Library website.
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  • 84
Francisco, Our Little Argentine Cousin

Francisco, Our Little Argentine Cousin

Arthur Scott Bailey

Children's

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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  • 183
Off Santiago with Sampson

Off Santiago with Sampson

Arthur Scott Bailey

Children's

Stories of American HistoryIt was a small but by no means feeble-looking boy who stood in front of a driveway disclosed by the opening of huge gates which, until they had been swung inward, appeared to have been a portion of the high fence of boards.There was seemingly no inducement for a boy to linger in this vicinity, unless, indeed, it might have been the sign posted either side the gate, on which was painted in letters rendered conspicuous because of the vivid colouring, the forbidding words, "Keep Out.""I\'ll not keep out \'less I\'m minded to, an\' him as can hold me this side the fence needs to be spry on his feet," the small boy said, half to himself, and with a gesture of defiance which told he had not been accustomed to obeying commands that might be evaded.Through the gateway nothing could be seen save enormous heaps of coal, some enclosed in pens formed of planks as if to prevent them from mingling with the others, and between all a path or road of no more than sufficient width to permit the passage of a cart. In the distance, a rough building abruptly closed the view, and beyond it the puffing of steam and rattle of iron implements told of life and activity.Outside the fence, it was as if this certain portion of the city had been temporarily deserted; but one could hear the rumble of wheels over the pavements on either hand, giving token that the coalyard was situated just beyond the line of city traffic.The boy gazed into the uninviting-looking place as if fascinated, only glancing up now and then at the signs which mutely forbade his entrance, and, as if unconscious of his movements, stole slowly nearer and nearer the gateway until he stood directly on the line that separated the yard from the sidewalk."If I wanted to go in, it\'s more\'n a couple of signs that could keep me out," he muttered, threateningly, and then, with one backward glance to assure himself that no unfriendly policeman was watching from the distance, the boy darted forward, taking refuge behind the nearest heap of coal, lest an enemy should be lurking near at hand.Save for the hum of labour everywhere around, he heard nothing. No guardian of the smutty premises appeared to forbid his entrance, and after waiting a full minute to make certain it was safe to advance yet farther, he left one place of partial concealment for the next in his proposed line of march.So far as he could see, there was no other guardian of the yard save the two signs at the entrance, and the only purpose they served was to challenge him.CONTENTS"KEEP OUT"KEEP INOFF SANTIAGOTHE MERRIMACTHE CHASETEDDY\'S DADDY
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  • 193
The Factory Boy

The Factory Boy

Madeline Leslie

Children's / Fiction / Religion

TAKE a cup of porridge, Johnny, dear. It\'s too cold to go to work without something warm." Johnny looked in the bowl which stood on the hearth, near a few smouldering brands, and shook his head as he answered,—"I\'m not very hungry, mother. There\'s only enough for you and Ella." Then without another word he hurried away, for the factory bell was ringing; and he knew that he must not be late.
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  • 155
Father Thrift and His Animal Friends

Father Thrift and His Animal Friends

Ethel C. Brill

Children's

This is a fascinating story about Father Thrift and his animals. “As from the days your father’s father knew, This little story book now comes to you. So when you turn its pages, heed them well: Though strange the stories, many truths they tell. They tell of animals and birds and trees, Of children, flowers, and honeybees; Of a queer old man, and a quaint old town, With crooked streets that ran up and down.” This edition of the book is amply illustrated. It is a pleasure to publish this new, high quality, and affordable edition of this timeless story book.
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  • 384
The Forest of Mystery

The Forest of Mystery

Ethel C. Brill

Children's

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
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  • 348
The Perambulations of a Bee and a Butterfly,

The Perambulations of a Bee and a Butterfly,

Ethel C. Brill

Children's

Excerpt from The Perambulations of a Bee and a Butterfly: In Which Are Delineated Those Smaller Traits of Character Which Escape the Observation of Larger SpectatorsThe Butterfly\'s anxiety - His Friend regains his Liberty and returns late to the Hive - The butterfly detects flattery in a Gentleman to a Lady, and is alarmed by a hint from his friend as they separate for the Night; The Bees swarm - Their fondness for their Queen - The Bee in waiting - the Butterfly goes into the Country on a party of Pleasure - is overtaken by a storm, and returns in a Stagecoach - An officer exercising his genius in hoaxing his Fellow-travellers - The Butterfly recounts his adventures to his Friend - Their remarks on what passed during his Journey; The Butterfly\'s alarm, and account of a Naturalist - Wasps ensnared in a bottle - A Bee drowning in a Pot of Honey, is extricated by his Friend - Flies - The Bee\'s remarks upon them nearly offends his Friend by comparing them with himAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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  • 294
Captured by the Arabs

Captured by the Arabs

Ethel C. Brill

Children's

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
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  • 366
The Arrow of Fire

The Arrow of Fire

Roy J. Snell

Mystery / Children's

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
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  • 238
Yellow Thunder, Our Little Indian Cousin

Yellow Thunder, Our Little Indian Cousin

Mary Hazelton Blanchard Wade

Children's / Fiction

They call him Yellow Thunder. Do not be afraid of your little cousin because he bears such a terrible name. It is not his fault, I assure you. His grandmother had a dream the night he was born. She believed the Great Spirit, as the Indians call our Heavenly Father, sent this to her. In the dream she saw the heavens in a great storm. Lightning flashed and she constantly heard the roar of thunder. When she awoke in the morning she said, "My first grandson must be called \'Yellow Thunder.\'" And Yellow Thunder became his name.
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  • 249
Johnny Longbow

Johnny Longbow

Roy J. Snell

Mystery / Children's

Roy J. Snell (1878-1959) authored at least 85 Young Adult novels under his own name and as by David O\'Hara, James Craig, and Joseph Marino, most of them specifically directed to boys, though he wrote at least one series of mysteries for girls. His tales for younger children, beginning with Little White Fox and his Arctic Friends (1916), are animal Fantasies.
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  • 208
Philippa

Philippa

Mrs. Molesworth

Children's / Fiction

Autumn—scarcely late autumn yet—and the day had been mild. But as the afternoon wore on towards evening, there came the chilliness and early gloom inevitable at the fall of the year—accompanied, to those who are sensitive to such things, by the indescribable touch of melancholy never present in the same way at other seasons.
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  • 179
The Constant Prince

The Constant Prince

Mrs. Molesworth

Children's / Fiction

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
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  • 162
That Girl in Black; and, Bronzie

That Girl in Black; and, Bronzie

Mrs. Molesworth

Children's / Fiction

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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  • 152
The Little Old Portrait

The Little Old Portrait

Mrs. Molesworth

Children's / Fiction

There was great rejoicing among the children in the farmhouse of Belle Prairie, one of the most flourishing farms in the beautiful part of Touraine where it was situated. To-morrow would be their mother’s birthday, and for as long back as any of the small people could remember “mother’s birthday” had always been a holiday.
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  • 231
Jasper

Jasper

Mrs. Molesworth

Children's / Fiction

Chrissie Fortescue sat looking at her toes. They were pretty little toes, pink and plump and even. But she was not looking at them in admiration. And indeed this morning they were scarcely as pretty as usual, for they were rapidly becoming blue and crimson, instead of merely pink, and though blue and crimson are charming colours in themselves, they are not seen to advantage on toes.
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  • 232
Silverthorns

Silverthorns

Mrs. Molesworth

Children's / Fiction

The school-room at Number 19, Norfolk Terrace, was not, it must be confessed, a particularly attractive room. To begin with, it looked out upon the little garden at the back of the house, and this same little garden was not much to look out upon. The modest, old-fashioned name of “green” would have suited it better.
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  • 186
Sweet Content

Sweet Content

Mrs. Molesworth

Children's / Fiction

“Sweet Content.” That was my name when I was a very tiny child. It may sound rather conceited to tell this of myself, but when I have told all the story I am now beginning, I don’t think, at least I hope, you, whoever you are that read it, won’t say I am conceited. Indeed, if I thought any one I knew, or rather that knew me, would be likely to read it and to know that the “I” of it was me, I am not by any means sure that I would write it. But, of course, it is not at all certain that it ever will be printed or seen by any one (except, perhaps, by my children, if, when I am grown up, I am married and have any) who ever heard of me. The world seems to me a very big place; there are such lots and lots of people in it, old ones and children, and middling ones; and they are all busy and taken up about their own affairs.Some other children might like to read my story, just as a story, for I do think some parts of it are rather extra interesting; but it is not probable that any of them would recognise me, or the other “characters” (I think that is the right word) in it. Except—except some of the other characters themselves! They don’t know I am writing it, perhaps they never will know about it; but if they did—yes, even if they read every word of it—I don’t think I’d mind. They are so truly—no, I mustn’t begin telling about them like that; you will understand, all in good time, why, least of any people in the world, perhaps, I should mind their reading the exactly how it was of everything I have to tell. This shows how perfectly I can trust them.And in saying even that, though I really couldn’t help it, I’m afraid I have already got rather out of the proper orderly way of telling a story.I will start clearly now. What I have written already is a sort of preface or introduction. And it has a much better chance of being read than if I had put it separately.As I began about my baby name, and as I am going to use it for a title—for several reasons, as you will see—I will first explain about it.CONTENTS1. An “Only” Baby.2. Papa’s Bit of News.3. The Yew Trees.4. All My Own Fault.5. A Large Family.6. New Ideas.7. A Trio of Friends.8. Found Wanting.9. The Strange Old Woman.10. The Look on Papa’s Face.11. Nothing Venture, Nothing Win.12. True Hearts.
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  • 152
Tell Me a Story

Tell Me a Story

Mrs. Molesworth

Children's / Fiction

The children sat round me in the gloaming. There were several of them; from Madge, dear Madge with her thick fair hair and soft kind grey eyes, down to pretty little Sybil—Gipsy, we called her for fun,—whom you would hardly have guessed, from her brown face and bright dark eyes, to be Madge’s “own cousin.” They were mostly girls, the big ones at least, which is what one would expect, for it is not often that big boys care much about sitting still, and even less about anything so sentimental as sitting still in the twilight doing nothing. There were two or three little boys however, nice round-faced little fellows, who had not yet begun to look down upon “girls,” and were very much honoured at being admitted to a good game of romps with Madge and her troop.It was one of these—the rosiest and nicest of them all, little Ted—who pulled my dress and whispered, but loud enough for every one to hear, with his coaxingest voice—“Tell me a story, aunty.” And then it came all round in a regular buzz, in every voice, repeated again and again—“O aunty! do; dear, dear aunty, tell us a story.”I had been knitting, but it had grown too dark even for that. I could not pretend to be “busy.” What could I say? I held up my hands in despair.“O children! dear children!” I cried, “truly, truly, I don’t know what stories to tell. You are such dreadfully wise people now-a-days—you have long ago left behind you what I used to think wonderful stories—‘Cinderella,’ and ‘Beauty and the Beast,’ and all the rest of them; and you have such piles of story-books that you are always reading, and many of them too written for you by the cleverest men and women living! What could I tell you that you would care to hear? Why, it will be the children telling stories to amuse the papas and mammas, and aunties next, like the ‘glorious revolution’ in ‘Liliput Levée!’ No, no, your poor old aunty is not quite in her dotage yet. She knows better than to try to amuse you clever people with her stupid old hum-drum stories.”I did not mean to hurt the poor dear little things—I did not, truly—I spoke a little in earnest, but more in jest, as I shook my head and looked round the circle. But to my surprise they took it all for earnest, and the tears even gathered in two or three pairs of eyes.“Aunty, you know we don’t think so,” began Madge, gentle Madge always, reproachfully.And “It’s too bad of you, aunty, too bad,” burst out plain-speaking Dolly. And worst of all, Ted clambered manfully up on to my knees, and proceeded to shake me vigorously. “Naughty aunty,” he said, “naughty, naughty aunty. Ted will shake you, and shake you, to make you good.”What could I do but cry for mercy? and promise anything and everything, fifty stories on the spot, if only they would forgive me?“But, truly children,” I said again, when the hubbub had subsided a little, “I am afraid I do not know any stories you would care for.”“We should care for anything you tell us,” they replied, “about when you were a little girl, or anything.”I considered a little. “I might tell you something of that kind,” I said, “and perhaps, by another evening, I might think over about some other people’s ‘long agos’—your grandmother’s, for instance. Would that please you?”Great applause.“And another thing,” I continued, “if I try to rub up some old stories for you, don’t you think you might help? You, Madge, dear, for instance, you are older than the others—couldn’t you tell them something of your own childish life even?”CONTENTSChapter One. Introduction.Chapter Two. The Reel Fairies.Chapter Three. Good-Night, Winny.Chapter Four. Con and the Little People.Chapter Five. Mary Ann Jolly.Chapter Six. Too Bad.Chapter Seven. Charlie’s Disappointment.
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  • 156
The Rope of Gold

The Rope of Gold

Roy J. Snell

Mystery / Children's

Night was settling down over the mountain side. Already the valleys far below were lost in darkness. The massive fortress which the dwellers on the island of Haiti have always called the Citadel hung like a mountain cliff above a boy who, hot from climbing, had thrown himself on a bed of moss at the foot of a gnarled mahogany tree. "Whew!" he exclaimed softly to himself. "Even three thousand feet above the sea here in Haiti it\'s hot. Hot and dry. Fellow\'d think--" He broke short off to stare. A curious thing was happening. Out from a small dark opening some forty feet up the perpendicular wall of the massive abandoned fortification, something quite indistinct in the twilight had moved and was creeping slowly down the moss-grown wall. "Like a snake," he told himself, "only, here in Haiti, there are no snakes to speak of and certainly not one as long as that. Only look! It\'s down to the window below; a full twenty feet. "That window--" He caught his breath, then began to count. "One, two, three, four,-- "That\'s the window of Curlie\'s \'laburatory\' as he calls it. It--why, it\'s a plot! I should warn him. It--"
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  • 127
A Tale of Red Pekin

A Tale of Red Pekin

Lillian Elizabeth Roy

Children's

I can remember quite well when we all came to China. It is four years ago, and I was eight years old, and you can remember when you are three, so father says. I am twelve now, and I feel quite grown up, that is because I am older than any of the others. Most people call me prim and old-fashioned, but mother says I am her right hand. Rachel is the next to me, but she is in a different generation almost, only nine years old, and quite a child. Then there is Jack, he is eight, and Jill, she is seven. Jill is not her name really—they all have Bible names—but we call her that because she and Jack are such friends, and always do everything together. Then there is Tim, he is only five years old, and little baby Anna. Baby Anna is so lovely, and the Chinese women are very fond of her. She has dark eyes, and rings of dark hair all over her head; but somehow she does not look like other children. She smiles, and yet she has a solemn look: that rapt look that the cherubs have, like pictures of the Blessed Lord Himself when He was a little child. Father says so sometimes, but mother does not like it. I never can think why, but she looks so sad, and once I saw her brushing some tears away. I think really, though I have never told anyone else, that mother is afraid baby Anna will not live. I heard the servants talking one day, and nurse said she was sure the baby would never live to grow up.
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  • 171
The Firebug

The Firebug

Roy J. Snell

Mystery / Children's

Roy J. Snell (1878-1959) authored at least 85 Young Adult novels under his own name and as by David O\'Hara, James Craig, and Joseph Marino, most of them specifically directed to boys, though he wrote at least one series of mysteries for girls. His tales for younger children, beginning with Little White Fox and his Arctic Friends (1916), are animal Fantasies.
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  • 247
Forbidden Cargoes

Forbidden Cargoes

Roy J. Snell

Mystery / Children's

Out of the depths of jungle and forest comes a story intriguing and full of mystery. The very setting -- the tropics of British Honduras and the Caribbean Sea -- conjures up visions of pirates and buccaneers, of adventure, mystery, and peril lurking at every step in the jungle.This is really a dual story, following the adventures of two boy chums, but the incidents are so interwoven as to constitute a delightful whole. They have a common enemy, a crafty, unscrupulous Spaniard, and the action centers around the efforts of the boys to circumvent his plots to rob those dear to them.Carib Indians, old Spanish Dons, Maya caves, and hidden treasures all lend mystery and enchantment to the tale. Action is fast and furious. The lure of the tropics is strong, and against this background Mr. Snell has woven a story that will satisfy even the most adventure-loving
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  • 214
The Red Lure

The Red Lure

Roy J. Snell

Mystery / Children's

As Johnny Thompson bent over the black waters of the river he thought he heard a stealthy movement behind him. Before he could decide whether or not his eyes had deceived him he caught the reflection of a sudden white gleam on the dark surface of the water. At the same time something told him to dive, and dive he did. With the rocket-like speed that was his, he shot straight into the water, then away beneath the surface. He rose some ten yards downstream. After one deep, silent breath, he grasped a red mangrove branch for support, then paused to listen.
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  • 157
Frank at Don Carlos Rancho

Frank at Don Carlos' Rancho

Harry Castlemon

Children's

Harry Castlemon, Collection Vol 3: Frank in the Woods, Frank among the Rancheros, Frank at Don Carlos\' Rancho. Charles Austin Fosdick (September 6, 1842 – August 22, 1915), better known by his nom de plume Harry Castlemon, was a prolific writer of juvenile stories and novels, intended mainly for boys. He served in the Union Navy from 1862 to 1865, during the American Civil War, acting as the receiver and superintendent of coal for the Mississippi River Squadron. Fosdick had begun to write as a teenager, and drew on his experiences serving in the Navy in such early novels as Frank on a Gunboat (1864) and Frank on the Lower Mississippi (1867). He soon became the most-read author for boys in the post-Civil War era, the golden age of children\'s literature. Fosdick once remarked that: "Boys don\'t like fine literature. What they want is adventure, and the more of it you can get in two-hundred-fifty pages of manuscript, the better fellow you are." Fosdick served up a lot of adventure in such popular book series as the Gunboat Series, the Rocky Mountain Series, the Roughing It Series, the Sportsman\'s Club Series, and The Steel Horse, or the Rambles of a Bicycle.
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  • 292
Deaf and Dumb!

Deaf and Dumb!

Harry Castlemon

Children's

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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  • 275
Peter of New Amsterdam: A Story of Old New York

Peter of New Amsterdam: A Story of Old New York

Harry Castlemon

Children's

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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Frank in the Woods

Frank in the Woods

Harry Castlemon

Children's

Harry Castlemon, Collection Vol 3: Frank in the Woods, Frank among the Rancheros, Frank at Don Carlos\' Rancho. Charles Austin Fosdick (September 6, 1842 – August 22, 1915), better known by his nom de plume Harry Castlemon, was a prolific writer of juvenile stories and novels, intended mainly for boys. He served in the Union Navy from 1862 to 1865, during the American Civil War, acting as the receiver and superintendent of coal for the Mississippi River Squadron. Fosdick had begun to write as a teenager, and drew on his experiences serving in the Navy in such early novels as Frank on a Gunboat (1864) and Frank on the Lower Mississippi (1867). He soon became the most-read author for boys in the post-Civil War era, the golden age of children\'s literature. Fosdick once remarked that: "Boys don\'t like fine literature. What they want is adventure, and the more of it you can get in two-hundred-fifty pages of manuscript, the better fellow you are." Fosdick served up a lot of adventure in such popular book series as the Gunboat Series, the Rocky Mountain Series, the Roughing It Series, the Sportsman\'s Club Series, and The Steel Horse, or the Rambles of a Bicycle.
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The Camp Fire Girls at the End of the Trail

The Camp Fire Girls at the End of the Trail

Margaret Vandercook

Children's

The castle had been built before the first known palace in Europe. It was fashioned centuries ago inside the walls of a stone cliff with two taller cliffs rising on either side. Beyond was a break between, allowing a narrow entrance to the cliff dwelling from the outside. In front there was a small plateau of rock ending in a precipice, which descended with a drop of a hundred feet to a new ledge, and then came another still deeper fall.
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The Inca Emerald

The Inca Emerald

Margaret Vandercook

Children's

It was a bushmaster which started the Quest of the Emerald—and only a possible bushmaster at that. One May evening in Cornwall, Big Jim Donegan, the lumber-king, sat in the misty moonlight with his slippered feet on the rail of the veranda of the great house in which he lived alone. He was puffing away at a corn-cob pipe as placidly as if he did not have more millions than Cornwall has hills—which is saying something, for Cornwall has twenty-seven of the latter.
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